When You’re in Love is a romantic musical scripted and directed by long-time Frank Capra writer Robert Riskin and starring Grace Moore and Cary Grant. The enjoyable and fast-moving plot turns on high-spirits and high-notes. Louise Brooks makes an uncredited appearance as one of a number of dancers in a musical sequence near the end of the film.
The film proved especially popular, and was seen as a worthy successor to Moore’s triumph in the 1934 film One Night of Love, for which she was nominated for the Academy Award for Best Actress. The Hollywood Reporter stated, “With a more substantial story than the last two Grace Moore vehicles, When You’re in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment.” The Hollywood Spectator added “It is unquestionably her best to-date and never has she appeared to better photographic advantage.” Rob Wagner, writing in Rob Wagner’s Script (a trade journal), was especially enthusiastic. “Here is the perfect combination – the director who writes his own script and delivers perfectly . . . Yes, I’m raving, … but because I’m a priest of beauty; and this picture thrilled me.”
The film was held over in New York City, as well as in Baltimore, Seattle, Detroit, New Orleans, Trenton, Tacoma, and Springfield (Massachusetts and Illinois). The same was true in Atlanta, Georgia. The Atlanta Constitution wrote that the film, the “best picture made by Grace Moore” was “now in its third week at the Rialto Theater, with the demand for seats showing no signs of easing.” The same was true in Hartford, Connecticut. The Hartford Courant wrote “Don’t look now, but Loew’s Theater appears to be starting another one of those record-breaking picture engagements with When You’re in Love.”
The great British novelist Graham Greene, writing in Night and Day, was tempered in his assessment. “Miss Moore, even in trousers singing Minnie the Moocher, can make the craziest comedy sensible and hygienic. In For You Alone, the story of an Australian singer who buys an American husband in Mexico so that she may re-enter the States where her permit has expired, Mr. Riskin, the author of Mr. Deeds and (let’s not forget) Lost Horizon, has tried his best to write crazily, but he comes up all the time against Miss Moore.”
For When You’re in Love, Brooks accepted work as an extra (its almost impossible to spot her) with the promise of the feminine lead in another Columbia film. To exploit the situation, the studio put out the word that Brooks was willing to do anything to get back into pictures. “Louise Brooks is certainly starting her come-back from the lowest rung of the ladder,” wrote Wood Soanes of the Oakland Tribune. “She is one of a hundred dancers in the ballet chorus of Grace Moore’s When You’re in Love.” Brooks kept her part of the bargain, but the studio did not. Brooks’ lead in a Columbia film never materialized.
RELATED MATERIAL:
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DATABASE LINKS:
- Academy of Motion Picture Arts and Sciences
- AFI catalog
- All Movie Guide
- AlloCine (fr)
- BFI website (uk)
- Cinemacontext (nl)
- Filmweb (pl)
- ICAA (es)
- IMDb
- Letterboxd
- RottenTomatoes
- Swedish Film Database (sv)
- TCM.com
- TMDb
- Wikipedia
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STORY SYNOPSIS:
“Austrian singer Louise Fuller, having overstayed her visa in the United States, goes to Mexico. Louise is concerned that she may never have the opportunity to perform with her elderly uncle, Walter Mitchell, who resides in the United States. A friend, Carlos, suggests Louise arrange a marriage with an American in order to gain citizenship, and then get a divorce. Louise meets Jimmy Hudson, an American artist who is staying in the same hotel. Jimmy falls in love with Louise after he hears her sing, but then he is arrested for having no money. Carlos suggests Louise marry Jimmy, and they walk through a short wedding ceremony and leave separately. Louise goes to New York to perform at the Symphony Hall. One day when Louise goes to her apartment, she finds Jimmy waiting to see her. Jimmy is not sure they should go through with their divorce and Louise makes him leave. The couple meets again, however, while Louise takes a break at the seashore. After a drive in the country, Louise and Jimmy are caught in a rain storm and drive to the home of Jimmy’s adopted parents, the Hamiltons. Late that evening, after they have kissed, Louise and Jimmy plan a trip to the White Mountains. In order to make the trip, Jimmy rejects an offer to design a mural, and Hank Miller, Louise’s publicist, reminds her of her scheduled performance with Uncle Walter. When the press swarms the Hamilton residence to report on the secret nuptials, Jimmy leaves angrily. On the day of the festival, Louise tells Hank that she plans to divorce Jimmy. Jimmy reads Louise’s statement in the newspaper, and during the first act of her performance, he arrives backstage. Jimmy presents Louise with the legal papers for divorce and leaves. Louise is too upset to continue her performance, and rumors circulate through the audience that she is injured. Jimmy hurries back to the theater and he and Louise make up. Louise offers to leave the show without returning onstage, but Jimmy insists that she sing “Our Song” to the audience.”
PRODUCTION HISTORY:
Production of the film took place at Columbia Pictures studios in Southern California between Oct 5 and December 20, 1936 . The musical pageant at the end of the film was likely shot in part at the Hollywood Bowl.
CAST: | |
Grace Moore
|
Louise Fuller |
Cary Grant
|
Jimmy Hudson |
Aline MacMahon
|
Marianne Woods |
Henry Stephenson
|
Walter Mitchell |
Thomas Mitchell
|
Hank Miller |
Catherine Doucet
|
Jane Summers |
Luis Alberni
|
Luis Perugini |
Gerald Oliver Smith
|
Gerald Meeker |
Emma Dunn
|
Mrs. Hamilton |
George C. Pearce
|
Mr. Hamilton |
Frank Puglia
|
Carlos |
Herbert Ashley
|
Immigration Chief (uncredited) |
Scotty Beckett
|
Boy (uncredited) |
Dick Botiller
|
Mexican (uncredited) |
Louise Brooks
|
Dancer in chorus (uncredited) |
Romaine Callender
|
Waiter (uncredited) |
George Cooper
|
Assistant Immigration Officer (uncredited) |
Georgie Cooper
|
Woman (uncredited) |
Marcelle Corday
|
Marie, Louise’s Maid (uncredited) |
Emery D’Arcy
|
Scarpia (uncredited) |
Jean De Briac
|
Headwaiter (uncredited) |
Helen Dickson
|
Woman (uncredited) |
Joe Dominguez
|
Mexican (uncredited) |
Ann Doran
|
Secretary (uncredited) |
Nadine Dore
|
Girl (uncredited) |
Jack Egger
|
Boy (uncredited) |
Jose Fernandez
|
Dancer (uncredited) |
Bess Flowers
|
Woman in Dressing Room (uncredited) |
Joseph Forte
|
Waiter’s Assistant (uncredited) |
Otto Fries
|
Man (uncredited) |
Bud Geary
|
Reporter (uncredited) |
Billy Gilbert
|
Jose the Bartender (uncredited) |
Chuck Hamilton
|
Tony, Assistant Stage Manager (uncredited) |
Ruth Hilliard
|
unknown role (uncredited) |
Leyland Hodgson
|
Man in Dressing Room (uncredited) |
Harry Holman
|
A Babbitt Brother (uncredited) |
Phyllis Holt
|
unknown role (uncredited) |
Arthur Hoyt
|
Man (uncredited) |
Arthur Stuart Hull
|
Business Man (uncredited) |
Soledad Jiménez
|
Wife of Justice of the Peace (uncredited) |
Payne B. Johnson
|
Boy (uncredited) |
Edward Keane
|
Stage Manager (uncredited) |
Sharon Keller
|
unknown role (uncredited) |
Isabel La Mal
|
Woman (uncredited) |
Harvey Leach
|
Man (uncredited) |
Raúl Lechuga
|
Mexican Policeman (uncredited) |
Frank Leyva
|
Mexican Policeman (uncredited) |
Bert Linden
|
Dancer (uncredited) |
J.P. Lockney
|
Doorman (uncredited) |
Alphonse Martell
|
Announcer (uncredited) |
Chris-Pin Martin
|
Servant (uncredited) |
Robert McKenzie
|
Charlie Perkins (uncredited) |
Wilson Millar
|
Italian (uncredited) |
Carlos Montalbán
|
unknown role (uncredited) |
Gene Morgan
|
Dancer (uncredited) |
Olive Morgan
|
unknown role (uncredited) |
Martha Mosquiera
|
unknown role (uncredited) |
Jeanette Noeson
|
unknown role (uncredited) |
Fletcher Norton
|
Teacher (uncredited) |
Dave O’Brien
|
Dancer (uncredited) |
Robert Emmett O’Connor
|
Assistant Immigration Officer (uncredited) |
Barnett Parker
|
Butler (uncredited) |
Manuel París
|
Hotel Clerk (uncredited) |
William Pawley
|
Bruiser (uncredited) |
Paul Power
|
unknown role (uncredited) |
Gus Reed
|
Fat Waiter (uncredited) |
Cyril Ring
|
unknown role (uncredited) |
Dewey Robinson
|
Reporter (uncredited) |
Claire Rochelle
|
Girl (uncredited) |
Henry Roquemore
|
Ticket Clerk (uncredited) |
Enrique de Rosas
|
Hotel Manager (uncredited) |
Don Rowan
|
Bruiser (uncredited) |
Carmen Samaniego
|
Dancer (uncredited) |
Nena Sandoval
|
Dancer (uncredited) |
Hector V. Sarno
|
Jail Guard (uncredited) |
C. Montague Shaw
|
Attorney (uncredited) |
Bruce Sidney
|
Stage Manager (uncredited) |
Peggy Stratford
|
Woman (uncredited) |
Mary Ann Such
|
Little Ballet Dancer (uncredited) |
Patty Jo Tracy
|
unknown role (uncredited) |
Antonio Vidal
|
Justice of the Peace (uncredited) |
Catherine Wallace
|
unknown role (uncredited) |
May Wallace
|
Woman (uncredited) |
Lucille Ward
|
Music Teacher (uncredited) |
Pat West
|
A Babbitt Brother (uncredited) |
Ruth Williard
|
Woman (uncredited) |
CREDITS: | |
Studio:
|
Columbia |
Producer:
|
Harry Cohn |
Associate Producer:
|
Everett Riskin |
Director:
|
Robert Riskin, and Harry Lachman (uncredited) |
Assistant Director:
|
Arthur S. Black |
Writing Credits:
|
Screenplay by Robert Riskin, adapted from a story idea by Ethel Hill and Cedric Worth |
Cinematography:
|
Joseph Walker |
Film Editor:
|
Gene Milford |
Art Direction:
|
Stephen Goosson |
Gowns:
|
Bernard Newman |
Costumes:
|
Western Costume Company |
Musical Director:
|
Alfred Newman (uncredited) |
Sound Engineer:
|
Lodge Cunningham |
Ensemble staging:
|
Leon Leonidoff |
Format:
|
Sound – black & white |
Running Time:
|
11 reels (9,281 feet), listed at 104 and 110 minutes – Australia: 102 minutes. United Kingdom: 9,281 feet |
Copyright:
|
March 1, 1937 by Columbia Pictures Corp. of California, Ltd. (LP6950) |
Release Date:
|
February 27, 1937 |
Premiere:
|
Radio City Music Hall |
Country of Origin:
|
United States |
NOTES ON THE CAST & CREDITS:
The extensive list of uncredited actors in the film largely derives from IMDb.
ALTERNATE TITLES:
Under its American title, documented screenings of the film took place in Australia (including Tasmania), Bermuda, British Malaysia (Singapore), Canada, China, Dutch Guiana (Surinam), Haiti, Hong Kong, India, Jamaica, Japan, Korea, The Netherlands, New Zealand, Palestine (Israel), Papua New Guinea, The Philippines, and South Africa. As well, it was once advertised in Canada as When You Are in Love. In the United States territory of Puerto Rico, the film was exhibited under the title Preludio de amor (Spanish-language press).
Elsewhere, When You’re in Love was shown under the title Le Cœur en fête (Algeria); Preludio de Amor (Argentina); Sérénade and Interlude (Austria); Sérénade (Belgium); Prelúdio de Amor (Brazil); 鳥語花香 (China); Preludio de amor (Cuba); Když vy jste v lásce (Czechoslovakia) and Ked si zalúbeny (Slovakia, unconfiirmed); Serenade (Denmark); Preludio de Amor (Dominican Republic); Ma olen armunud (Estonia); Rakastuessa and När man är kär (Finland); Le Cœur en fête (France); Otan i kardia ktypa (Greece); Közjáték and Preludio de Amor (Hungary); Serenade (Iceland); Amanti di domani (Italy); 間奏楽 or Kansō-raku (Japan); Wenn die Liebe erwacht (Latvia); Serenade (Luxembourg); Preludio de amor (Mexico); Le Cœur en fête (Morocco); Als je verliefd bent (The Netherlands); Forelsket (Norway); Kiedy jestes zakochana (Poland) and חפּחדדה (Yiddish, in Poland); Prelúdio de Amor (Portugal); A rioi szerenad (Romania); Preludio de amor (Spain); När man är kär (Sweden); Le Cœur en fête and Wenn Du verliebt bist (Switzerland); Bir ask macerasi and Sen aska dusunce and Yalniz senin için (Turkey); and Preludio de amor (Uruguay).
The film was also shown under the title For You Alone in British Malaysia (Singapore), Ireland, and the United Kingdom (including England, Isle of Man, Northern Ireland, and Scotland).
STATUS:
The film is extant. It was released on VHS in the 1980s. On May 6, 2016 getTV aired a recently restored version of the film which ran 110 minutes.
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