splash  When You’re in Love is a romantic musical scripted and directed by long-time Frank Capra writer Robert Riskin and starring Grace Moore and Cary Grant. The enjoyable and fast-moving plot turns on high-spirits and high-notes. Louise Brooks makes an uncredited appearance as one of a number of dancers in a musical sequence near the end of the film.

The film proved especially popular, and was seen as a worthy successor to Moore’s triumph in the 1934 film One Night of Love, for which she was nominated for the Academy Award for Best Actress. The Hollywood Reporter stated, “With a more substantial story than the last two Grace Moore vehicles, When You’re in Love is a signal triumph for the foremost diva of the screen, for Cary Grant who should soar to stardom as result of his performance in this, and for Robert Riskin, here notably handling his first directorial assignment.” The Hollywood Spectator added “It is unquestionably her best to-date and never has she appeared to better photographic advantage.” Rob Wagner, writing in Rob Wagner’s Script (a trade journal), was especially enthusiastic. “Here is the perfect combination – the director who writes his own script and delivers perfectly . . . Yes, I’m raving, … but because I’m a priest of beauty; and this picture thrilled me.”

The film was held over in New York City, as well as in Baltimore, Seattle, Detroit, New Orleans, Trenton, Tacoma, and Springfield (Massachusetts and Illinois). The same was true in Atlanta, Georgia. The Atlanta Constitution wrote that the film, the “best picture made by Grace Moore” was “now in its third week at the Rialto Theater, with the demand for seats showing no signs of easing.” The same was true in Hartford, Connecticut. The Hartford Courant wrote “Don’t look now, but Loew’s Theater appears to be starting another one of those record-breaking picture engagements with When You’re in Love.”

The great British novelist Graham Greene, writing in Night and Day, was tempered in his assessment. “Miss Moore, even in trousers singing Minnie the Moocher, can make the craziest comedy sensible and hygienic. In For You Alone, the story of an Australian singer who buys an American husband in Mexico so that she may re-enter the States where her permit has expired, Mr. Riskin, the author of Mr. Deeds and (let’s not forget) Lost Horizon, has tried his best to write crazily, but he comes up all the time against Miss Moore.”

For When You’re in Love, Brooks accepted work as an extra (its almost impossible to spot her) with the promise of the feminine lead in another Columbia film. To exploit the situation, the studio put out the word that Brooks was willing to do anything to get back into pictures. “Louise Brooks is certainly starting her come-back from the lowest rung of the ladder,” wrote Wood Soanes of the Oakland Tribune. “She is one of a hundred dancers in the ballet chorus of Grace Moore’s When You’re in Love.” Brooks kept her part of the bargain, but the studio did not. Brooks’ lead in a Columbia film never materialized.

STORY SYNOPSIS:
“Austrian singer Louise Fuller, having overstayed her visa in the United States, goes to Mexico. Louise is concerned that she may never have the opportunity to perform with her elderly uncle, Walter Mitchell, who resides in the United States. A friend, Carlos, suggests Louise arrange a marriage with an American in order to gain citizenship, and then get a divorce. Louise meets Jimmy Hudson, an American artist who is staying in the same hotel. Jimmy falls in love with Louise after he hears her sing, but then he is arrested for having no money. Carlos suggests Louise marry Jimmy, and they walk through a short wedding ceremony and leave separately. Louise goes to New York to perform at the Symphony Hall. One day when Louise goes to her apartment, she finds Jimmy waiting to see her. Jimmy is not sure they should go through with their divorce and Louise makes him leave. The couple meets again, however, while Louise takes a break at the seashore. After a drive in the country, Louise and Jimmy are caught in a rain storm and drive to the home of Jimmy’s adopted parents, the Hamiltons. Late that evening, after they have kissed, Louise and Jimmy plan a trip to the White Mountains. In order to make the trip, Jimmy rejects an offer to design a mural, and Hank Miller, Louise’s publicist, reminds her of her scheduled performance with Uncle Walter. When the press swarms the Hamilton residence to report on the secret nuptials, Jimmy leaves angrily. On the day of the festival, Louise tells Hank that she plans to divorce Jimmy. Jimmy reads Louise’s statement in the newspaper, and during the first act of her performance, he arrives backstage. Jimmy presents Louise with the legal papers for divorce and leaves. Louise is too upset to continue her performance, and rumors circulate through the audience that she is injured. Jimmy hurries back to the theater and he and Louise make up. Louise offers to leave the show without returning onstage, but Jimmy insists that she sing “Our Song” to the audience.”

PRODUCTION HISTORY:
Production of the film took place at Columbia Pictures studios in Southern California between Oct  5 and December 20, 1936 . The musical pageant at the end of the film was likely shot in part at the Hollywood Bowl.

CAST:
Grace Moore
Louise Fuller
Cary Grant
Jimmy Hudson
Aline MacMahon
Marianne Woods
Henry Stephenson
Walter Mitchell
Thomas Mitchell
Hank Miller
Catherine Doucet
Jane Summers
Luis Alberni
Luis Perugini
Gerald Oliver Smith
Gerald Meeker
Emma Dunn
Mrs. Hamilton
George C. Pearce
Mr. Hamilton
Frank Puglia
Carlos
Herbert Ashley
Immigration Chief (uncredited)
Scotty Beckett
Boy (uncredited)
Dick Botiller
Mexican (uncredited)
Louise Brooks
Dancer in chorus (uncredited)
Romaine Callender
Waiter (uncredited)
George Cooper
Assistant Immigration Officer (uncredited)
Georgie Cooper
Woman (uncredited)
Marcelle Corday
Marie, Louise’s Maid (uncredited)
Emery D’Arcy
Scarpia (uncredited)
Jean De Briac
Headwaiter (uncredited)
Helen Dickson
Woman (uncredited)
Joe Dominguez
Mexican (uncredited)
Ann Doran
Secretary (uncredited)
Nadine Dore
Girl (uncredited)
Jack Egger
Boy (uncredited)
Jose Fernandez
Dancer (uncredited)
Bess Flowers
Woman in Dressing Room (uncredited)
Joseph Forte
Waiter’s Assistant (uncredited)
Otto Fries
Man (uncredited)
Bud Geary
Reporter (uncredited)
Billy Gilbert
Jose the Bartender (uncredited)
Chuck Hamilton
Tony, Assistant Stage Manager (uncredited)
Ruth Hilliard
unknown role (uncredited)
Leyland Hodgson
Man in Dressing Room (uncredited)
Harry Holman
A Babbitt Brother (uncredited)
Phyllis Holt
unknown role (uncredited)
Arthur Hoyt
Man (uncredited)
Arthur Stuart Hull
Business Man (uncredited)
Soledad Jiménez
Wife of Justice of the Peace (uncredited)
Payne B. Johnson
Boy (uncredited)
Edward Keane
Stage Manager (uncredited)
Sharon Keller
unknown role (uncredited)
Isabel La Mal
Woman (uncredited)
Harvey Leach
Man (uncredited)
Raúl Lechuga
Mexican Policeman (uncredited)
Frank Leyva
Mexican Policeman (uncredited)
Bert Linden
Dancer (uncredited)
J.P. Lockney
Doorman (uncredited)
Alphonse Martell
Announcer (uncredited)
Chris-Pin Martin
Servant (uncredited)
Robert McKenzie
Charlie Perkins (uncredited)
Wilson Millar
Italian (uncredited)
Carlos Montalbán
unknown role (uncredited)
Gene Morgan
Dancer (uncredited)
Olive Morgan
unknown role (uncredited)
Martha Mosquiera
unknown role (uncredited)
Jeanette Noeson
unknown role (uncredited)
Fletcher Norton
Teacher (uncredited)
Dave O’Brien
Dancer (uncredited)
Robert Emmett O’Connor
Assistant Immigration Officer (uncredited)
Barnett Parker
Butler (uncredited)
Manuel París
Hotel Clerk (uncredited)
William Pawley
Bruiser (uncredited)
Paul Power
unknown role (uncredited)
Gus Reed
Fat Waiter (uncredited)
Cyril Ring
unknown role (uncredited)
Dewey Robinson
Reporter (uncredited)
Claire Rochelle
Girl (uncredited)
Henry Roquemore
Ticket Clerk (uncredited)
Enrique de Rosas
Hotel Manager (uncredited)
Don Rowan
Bruiser (uncredited)
Carmen Samaniego
Dancer (uncredited)
Nena Sandoval
Dancer (uncredited)
Hector V. Sarno
Jail Guard (uncredited)
C. Montague Shaw
Attorney (uncredited)
Bruce Sidney
Stage Manager (uncredited)
Peggy Stratford
Woman (uncredited)
Mary Ann Such
Little Ballet Dancer (uncredited)
Patty Jo Tracy
unknown role (uncredited)
Antonio Vidal
Justice of the Peace (uncredited)
Catherine Wallace
unknown role (uncredited)
May Wallace
Woman (uncredited)
Lucille Ward
Music Teacher (uncredited)
Pat West
A Babbitt Brother (uncredited)
Ruth Williard
Woman (uncredited)
CREDITS:
Studio:
Columbia
Producer:
Harry Cohn
Associate Producer:
Everett Riskin
Director:
Robert Riskin, and Harry Lachman (uncredited)
Assistant Director:
Arthur S. Black
Writing Credits:
Screenplay by Robert Riskin, adapted from a story idea by Ethel Hill and Cedric Worth
Cinematography:
Joseph Walker
Film Editor:
Gene Milford
Art Direction:
Stephen Goosson
Gowns:
Bernard Newman
Costumes:
Western Costume Company
Musical Director:
Alfred Newman (uncredited)
Sound Engineer:
Lodge Cunningham
Ensemble staging:
Leon Leonidoff
Format:
Sound – black & white
Running Time:
11 reels (9,281 feet), listed at 104 and 110 minutes – Australia: 102 minutes. United Kingdom: 9,281 feet
Copyright:
March 1, 1937 by Columbia Pictures Corp. of California, Ltd. (LP6950)
Release Date:
February 27, 1937
Premiere:
Radio City Music Hall
Country of Origin:
United States

NOTES ON THE CAST & CREDITS:
The extensive list of uncredited actors in the film largely derives from IMDb.

ALTERNATE TITLES:
Under its American title, documented screenings of the film took place in Australia (including Tasmania), Bermuda, British Malaysia (Singapore), Canada, China, Dutch Guiana (Surinam), Haiti, Hong Kong, India, Jamaica, Japan, Korea, The Netherlands, New Zealand, Palestine (Israel), Papua New Guinea,  The Philippines, and South Africa. As well, it was once advertised in Canada as When You Are in Love. In the United States territory of Puerto Rico, the film was exhibited under the title Preludio de amor (Spanish-language press).

Elsewhere, When You’re in Love was shown under the title Le Cœur en fête (Algeria); Preludio de Amor (Argentina); Sérénade and Interlude (Austria); Sérénade (Belgium); Prelúdio de Amor (Brazil); 鳥語花香 (China);  Preludio de amor (Cuba); Když vy jste v lásce (Czechoslovakia) and Ked si zalúbeny (Slovakia, unconfiirmed); Serenade (Denmark); Preludio de Amor (Dominican Republic); Ma olen armunud (Estonia); Rakastuessa and När man är kär (Finland); Le Cœur en fête (France); Otan i kardia ktypa (Greece); Közjáték and Preludio de Amor (Hungary); Serenade (Iceland); Amanti di domani (Italy); 間奏楽 or Kansō-raku (Japan); Wenn die Liebe erwacht (Latvia); Serenade (Luxembourg); Preludio de amor (Mexico); Le Cœur en fête (Morocco); Als je verliefd bent (The Netherlands); Forelsket (Norway); Kiedy jestes zakochana (Poland) and חפּחדדה (Yiddish, in Poland); Prelúdio de Amor (Portugal); A rioi szerenad (Romania); Preludio de amor (Spain); När man är kär (Sweden); Le Cœur en fête and Wenn Du verliebt bist (Switzerland); Bir ask macerasi and Sen aska dusunce and Yalniz senin için (Turkey); and Preludio de amor (Uruguay).

The film was also shown under the title For You Alone in British Malaysia (Singapore), Ireland, and the United Kingdom (including England, Isle of Man, Northern Ireland, and Scotland).

STATUS:
The film is extant. It was released on VHS in the 1980s. On May 6, 2016 getTV aired a recently restored version of the film which ran 110 minutes.

RELATED ARTICLES & REVIEWS:
articles to come

TRIVIA: about the film

— Grace Moore (1898–1947) was an American operatic soprano and actress in musical theatre and film. She was nicknamed the “Tennessee Nightingale.” During her sixteen seasons with the Metropolitan Opera, she sang in several Italian and French operas as well as the title roles in Tosca, Manon, and Louise. Louise was her favorite opera and is widely considered to have been her greatest role. Attracted to Hollywood in the early years of talking pictures, Moore’s first screen role was as Jenny Lind in the 1930 MGM film A Lady’s Morals. Later that same year she starred with the Metropolitan Opera singer Lawrence Tibbett in New Moon, also for MGM. After a hiatus of several years, Moore returned to Hollywood under contract to Columbia Pictures, for whom she made six films. In the 1934 film One Night of Love, she portrayed a small-town girl who aspires to sing opera. For that role she was nominated for the Academy Award for Best Actress. The last film that Moore made was Louise (1939), an abridged version of Gustave Charpentier’s opera of the same name, with spoken dialog in place of some of the original opera’s music. The composer participated in the production, authorizing the cuts and changes to the libretto, coaching Moore, and advising director Abel Gance. Moore is credited with helping bring opera to a larger audience through her popular films. Moore died in a plane crash near Copenhagen’s airport on January 26, 1947, at the age of 48. Moore’s life story was made into a movie, So This Is Love, in 1953.

— The working title for the film was Interlude. According to the Hollywood Reporter, Harry Lachman directed along with Robert Riskin, though the latter received sole credit.

— The music in the film included “Serenade” by Franz Schubert, as well as “Siboney” (in Spanish), music and lyrics by Dolly Morse and Eernest Lecuona; “The Waltz Song” from Roméo and Juliet , music by Charles Gounod, libretto by Jules Barbier and Michel Carré; “In the Gloaming,” music and lyrics by Meta Orred and Annie F. Harrison; “The Whistling Boy” and “Our Song,” music by Jerome Kern, lyrics by Dorothy Fields; “Minnie the Moocher,” music by Cab Calloway, lyrics by Irving Mills and Clarence Gaskill, arranged by Al Siegel.

— In the film, Moore sings “Siboney“. Xavier Cugat’s version of “Siboney” was recommended by Brooks in her self-published booklet, The Fundamentals of Good Ballroom Dancing.

— In critiquing Grace Moore, the New York Times wrote “Her rendition of “Serenade” is delightful; so is her singing of the waltz aria from “Romeo and Juliet” and of Harrison’s old favorite, “In the Gloaming.” The recording implements were less kind in at least two of the Kern interludes, diluting her voice to the point of thinness in the “Whistling Boy” song and in certain phases of the “Our Song” number. . . . The comic highlight of the production, naturally, is her energetic interpretation of Mr. Calloway’s “Minnie the Moocher,” with gestures and a wealth of hi-de-ho’s.”

— The New York Times also noted that the lyrics of Cab Calloway’s “Minnie the Moocher” had been censored, writing “we did notice that the censors took out the reference to the King of Sweden who gave Minnie whatever she was needin’. Now it’s the King of Rythmania, who filled her full of vintage champagnia.” Although Daily Variety noted that preview audiences enjoyed Moore’s swing rendition of the classic song, it was not included in the general release print.